SONG OF BOB

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Cain Killing Abel, print by Jan Sadeler after a painting by Michiel Coxcie, 1576.

Cain Killing Abel, print by Jan Sadeler after a painting by Michiel Coxcie, 1576.

On Violence

April 14, 2018 by Bob Redmond in poetry, res publica

Here's another pome also from the manuscript for Dante's Internal Combustion Engine, circa 2005. One reason for reconsideration is our current national debate on guns, and also, considering Hannah Arendt's essay "On Violence," the question of origins of violence: is it bureaucracy and the faceless "rule by Nobody" (as she would have it)? Or is is more personal, in which powerful actors exercise tyranny? Arendt said that the latter, the more identifiable they are, should tend against violence (and towards power), because one could appeal directly, attempt to redress wrongs, and if necessary, rebel.

In a fully developed bureaucracy there is nobody left with whom one can argue, to whom one can present grievances, on whom the pressures of power can be exerted. Bureaucracy is the form of government in which everybody is deprived of political freedom, of the power to act; for the rule by Nobody is not no-rule, and where all are equally powerless, we have a tyranny without a tyrant.

—Hannah Arendt, "On Violence"

As I wonder how she could disassociate the horrors of the holocaust from the personalities of Hitler, Himmler, Goebbels and others, I also wonder what she would say now: the people seem beyond redress; the power of not just the oligarchs but the elected (like Hitler) so great they simply do not care. Violence is entrenched not in pogroms but systematic repression so great the effect is the same; this time on a global rather than continental scale.

This week, in a survey on the occasion of Holocaust Remembrance Day, the New York Times found that the event itself is fading from memory. For instance: forty-one percent of Americans, and 66 percent of millennials, cannot say what Auschwitz was.

What I glimpsed from the cab: this is the way things work, whether it's categorized as power or violence, and whether it's politically or personally motivated. Them that's got, shall get; them that's not, shall lose. It goes all the way back to the garden, and shall continue, lest we forget, lest we stop bearing witness.


CAIN AND ABEL

 

After their reckless questions about

Where can you find drugs and hookers?

and So can you really buy crack on 5th and Blanchard?

and just as thoughtlessly

Do you ever drive anyone you know?

Dood! What if you went to pick up someone

and it was your girlfriend going home from cheating on you?

What if you balled someone in your own cab

did you ever do that?

 

After that, they try to connect with some friends

on their cell phone

and as we get near frat row

the one with the big mouth says

So you been making pretty good money tonight?

Dood! What if I told you I had a gun pointing at you

through this seat?

 

His friend, the quiet one, shrinks back from my rear view mirror

he is alarmed as I,

but says nothing, as he always must

and I imagine these two, like brothers,

one profligate, one dutiful,

one aggressive, one silent,

one stalker, one stalked

two coils of an armature

negative and positive, powering their own motor

bound to each other until they burn out.

 

I cannot see the one directly behind me

but I can hear the shit creeping through his intestines

up his esophagus through his teeth

and too clearly to explain to them

I can also see their futures

which are gathering force and speed,

spinning away from any ground

and while I am their driver I am sitting completely still.

 

On my axis I pivot and look at him

and think of all the possible things I can say

but which he will not hear.

What I croak out is:

"The fare is eight-eighty."

 

Geez man, I was just messing with you.

Then he throws down a $20 bill

and says to his friend, c'mon, let's go

not waiting for change.

 

The friend looks at me like he's apologizing

but he isn't, he's asking for help

and he slouches out, following his shadow-boxing

sibling up to campus, up to the towers on the hill.

April 14, 2018 /Bob Redmond
Yellow Cab, Cain and Abel, Michiel Coxcie, Jan Sadeler, 16th-century art, Dante's Internal Combustion Engine, Hannah Arendt, On Violence, rss
poetry, res publica
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